Saturday, November 8, 2008

Nandana Sen is a true global citizen


Nandana Sen, daughter of economist and Nobel Prize winner Dr Amartya Sen and poet-writer Nabaneeta Dev Sen, the transformation from a "geeky little girl with thick glasses" to an enchantress, at least on-screen, is a matter of wide-eyed wonder.

"My parents expected me to be a writer or to go into academia, because quite accidentally I always topped my class. So my career choice was a total surprise to them initially, especially since I was such a shy and nerdy little girl."

The actress grew up in three different cities -- London, Kolkata, and Boston -- and lives between the US and India. She has been offered films as varied as Spanish, American and French. In the next year or so, as an Islamic pacifist in The War Within, a tough city girl in The Forest and in a comic role in It's a Mismatch.

Strangely, from Seducing Maarya (2002), to Strangers (2007) and now Rang Rasiya, the 'enchantress-seductress' seems to be Sen's preferred role. But the one she enjoyed essaying the most is her latest, simply because it has been the most challenging. "Sugandha's journey is especially complex -- we see her go from a petulant child to a girl in love, to a passionate muse to a woman betrayed."

Rang Rasiya has a few scenes for which she had to expose. "Because the film deals with art censorship and moral policing, there's a sensitive scene that forms the backbone of the story," says Sen. "By the time I shot for it I was absolutely comfortable, but it was not an easy decision to make. I thought about it a great deal and discussed it with my family. Everyone agreed it was absolutely central to the story and not exploitative in any way."

Monday, October 20, 2008

Karzzz 2008 Review

Karzzz


Powered by: Chakpak.com Karzzzz




Anupama Chopra, Consulting Editor, Films

A cartoon in a recent New Yorker magazine showed a director pitching a movie to a studio head. The director suggests: Let's remake an old classic with worse everything.

The pitch meeting for the new Karz must have been similar. Director Satish Kaushik's Karzzz is Subhash Ghai's 1980 cult film with worse everything.

Let's begin with the hero, Himmesh Reshmmiya. In the publicity interviews for the film, Himmesh has repeatedly declared that he should not be compared to Rishi Kapoor, the original film's hero because while Rishi was a handsome star, he, Himmesh is not at all good looking. The humility is appreciated but stating the truth doesn't change it.

Himmesh, despite intensive styling and waves of hair on his head, remains, an acquired taste.

He continues to sing with his trademark nasal twang but the unkindest cut is that here he tries hard to act. The scenes in which he attempts to emote by narrowing his eyes and furiously moving his lips are pure comedy.

His new heroine, Shweta Kumar redefines vapid. So Urmila Matondkar, who plays the murderous wife Kamini, must carry the burden of acting for all three of them. She delivers admirably, pursing her lips, widening her eyes and giving us five expressions when only one would have sufficed.

This Olympics of bad acting is constantly interrupted by brain dead Himmesh songs. A sample of the lyrics: If loving you is wrong, I don't want to be right, Tandoori Nights, Tandoori Nights.

Giving the songs stiff competition are the dialogues. At one point, Himmesh playing the rock star Monty is trying to convince Kamini that he is the reincarnation of her long dead husband. He says he will give her intimate details that only a husband can know and proceeds to say: Jab tum kiss karti ho tumhari aankhen band ho jaati hain. Monty presumably knows many people who kiss with their eyes open.

The original Karz was a superbly orchestrated melodrama. Ghai created moments that still have the power to make your hair stand on end.

Watch the climax when Kamini, played by a wonderfully elegant and icy Simi Garewal, becomes unhinged and admits that she killed her husband.

The new Karzzz is a clossal joke. At six or eight reels, it would have been a wonderful unintentional comedy ? a so bad that it's good film to add to classics like Manoj Kumar's Clerk and Sheetal's Honey. But at 18 reels, Karzzz is prolonged torture. Steer clear.