Monday, January 25, 2010

Jewelry Trends on the SAG Awards Red Carpet, 2010


Kate Hudson pulled off one of the best jewelry looks on last evening's SAG red carpet by turning her Cartier diamond sautoir spotlight necklace around so that it drapeed along the open back of her Emilio Pucci gown. Kate was one of many celebrities who chose white metal/white diamond jewelry for the event.

Tina Fey's earrings were from Neil Lane's new Renaissance collection, and fashioned from a mix of moonstone, brown diamonds, yellow diamonds and white diamonds, all set in platinum. Patricia Arquette chose colorful jewelry, too -- her huge yellow gold chandelier earrings were set with emeralds.

Large pendant-drop earrings made a splash on the ears of Julia Louis-Dreyfus, Julie Bowen, Holly Hunter and many other celebrities. Joan Allen gets the nod for the most unusual jewelry on the red carpet, with a striking Native American-like waterfall necklace.

Anna KendrickAnna Kendrick Platinum & Diamond Earrings
Anna KendrickAnna Kendrick Bracelet
Sofia VergaraSofia Vergara Rose Gold, Diamond & Sapphire Earrings
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<a href='http://bollywood-movie-lyrics.blogspot.com/2010/01/billu-barber.html'>Billu barber</a>
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<p>Khudaya Khair<br />Singers: ABHIJEET<br />(Raaton Raat Tara Koi, Chand Ya Sitara KoiGire To Utha Lena, O Suniyon ReTara Chamkila Hoga, Chand Sharmila HogaNath(Nose) Mein Laga Lena) - 2Zara Si Sawwari Hai WohZara Si Baawri Hai WohWoh Surme Ki Tarah MeriAankhon Mein Hi Rehti HaiSubah Ke Khawab Se Udai HaiPalkon Ke Neeche Chupai HaiMano Na Mano TumSote Sote Khawabon Mein Bhi Khawab Dikhati HaiMano Na Mano TumPari Hai Woh Pari Ki Kahaniyan Sunati Hai(Khuda Ya Kaire) - 4<br />Raaton Raat Tara Koi, Chand Ya Sitara KoiGire To Utha Lena, O Suniyon ReTara Chamkila Hoga, Chand Sharmila HogaNath(Nose) Mein Laga LenaTu Hawa Mein Zameen, Tu Jahan Mein WohinJab Ude Mujhe Le Ke Kyon Udti NahiTu Ghata Mein Zameen, Tu Kahin Mein KahinKyon Kabhi Mujhe Le Ke Kyon Barasti NahiZara Sa Sawwara Hai WohZara Sa Bawwara Hai WohWoh Surme Ki Tarah MeriAankhon Mein Hi Rehti HaiSubah Ke Khawab Se Udai HaiPalkon Ke Neeche Chupai HaiMano Na Mano TumSote Sote Khawabon Mein Bhi Khawab Dikhati HaiMano Na Mano TumPari Hai Woh Pari Ki Kahaniyan Sunati Hai(Khuda Ya Kaire) - 4<br />Jab Dannt Mein Ungli DabayeYa Ungli Pe Lat LiptayeBadal Yeh Nichadta Jaye, HoooKuch Kar Ke Woh Baat Ko TaaleJab Maathe Pe Woh Bal DaleAmber Yeh Sukhata Jaye, HoooWoh Jab Nakum Kutarti HaiTo Chanda Ghatne Lagta HaiWoh Pani Per Kadam RakheSagar Bhi Hat Jata HaiSubah Ke Khawab Se Udai HaiPalkon Ke Neeche Chupai HaiMano Na Mano TumSote Sote Khawabon Mein Bhi Khawab Dikhati HaiMano Na Mano TumPari Hai Woh Pari Ki Kahaniyan Sunati Hai(Khuda Ya Kaire) - 8</p>
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<a href='http://bollywood-movie-lyrics.blogspot.com/2010/01/veer-movie-review.html'>Veer Movie Review</a>
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<p><a href=The Veer Movie Review

Steer Clear of Veer

RATING: 2/5

By N.K. Deoshi

Welcome to the slam-bang world of Anil Sharma, where brute force is deified, brain power damned, where jingoism is anointed and subtlety exiled. It?s a world where the hero thrusts this claw into another man?s midriff and yanks out pounds of flesh enough to feed a few canines. The same brave hero decimates a dozen or so men singlehandedly, and miraculously manages to keep his hair-style intact while doing so. With bare hands he stops the blows of sharp swords. He wrings a neck with no less swiftness than shake his fractured leg on a dance floor. In a nutshell, this is no ordinary mortal. He?s the creation of our beloved Salman Khan (writer of the story) and Anil Sharma (the director) who somewhat egotistically declares in the opening and closing credits, and that too in bold capital letters, ?AN ANIL SHARMA FILM? as if Veer is a masterpiece of the millennium. Sadly, it?s not even the movie of the month.

While Sharma still seems to be staggering with the Gadar hangover, Salman comes up with an embarrassingly formulaic story with scarce novelty and abundant clich

Chance Pe Dance

The Chance Pe Dance Movie Review

Skip This Chance

RATING: 3

By Naresh Deoshi

When it comes to shaking his shanks, Shahid Kapoor is not a lallu but a lulu. With what nimbleness he wiggles his butt, sways his brawny bod, twirls his pelvis, and virtually wriggles his anatomy into a perpetual tangle and untangle of limbs - like poetry in motion. Pity that his dancing skill be showcased in a movie as plot-holed, disjointed, cheesy and predictable as Ken Ghosh?s Chance Pe Dance.

Primarily a story of a struggler who comes to Mumbai with Bollywood dreams in his head, the film is a study in plot digressions. At whim it veers into tacky subplots that do little, if not nothing, to further the story. It keeps flitting from the shabby insides of the protagonist?s run-down Maruti Suzuki 800, into the lavatories and dance halls of a school, and from there to producers? offices and dance competitions before crawling to its underwhelming climax, but not without a de tour to an MCD demolished Delhi.

It?s like the writers stitched together different skits to come up with something that has the semblance of a story. And with his good friend Shahid Kapoor at his disposal, director Ken Ghosh presumably thought that the actor?s post-Kaminey charisma, plus his dimpled smile, bulgy biceps and nifty footwork would gloss over the blotches. Nah! They don?t.


?Chance Pe Dance? starts off as the story of a struggling actor Samir (Shahid Kapoor) who works as a courier boy when not knocking on producer?s doors or shaking his jelly feet to impress film directors at discotheques. Luckily by chance, one hotshot director (Mohnish Behl) spots him and promises him a break in his movie. Alongside, Samir befriends and later falls in love with Tina (Genelia D'Souza), a cute, bubbly, scooter-riding stunner who?s the choreographer of Samir?s debut film.

But not all is well for our hero. He gets kicked out of his rented apartment and has no money to rent another place. So, he starts living inside his car and takes up the job of a dance teacher in a school, making the nanhe, naughty taare gyrate zameen par. Things get further worse when Samir gets booted out of his debut film after the producers decide to find a hero through a nationwide talent hunt contest.

Now, even as Samir teaches dance to school kids, he has just one option to take his shot at stardom - participate in the contest. But there?s another tragedy waiting to happen.

Keeping throughout the pretense of a triumph-of-the-spirit tale, ?Chance Pe Dance? slips into overtly sentimental drama more often than not. After being kicked out of the movie, the protagonist sheds a tear and breaks into an emotional harangue about his unending woes even though his beautiful squeeze Tina sits beside him not knowing what to do or say, just like the viewers.

Shahid Kapoor definitely ought to steer clear of mushy melodramas. Doubtlessly he?s a good dancer and an above-average actor, but he can?t for his life internalize the plight of a struggler in ?Chance Pe Dance?. Genelia looks terrific and is pretty comfortable in the skin of her charming, teeny bopper of a character. Mohnish Behl is good as the fidgety director, while Pariskshit Sahni gets just two-three scenes as the hapless, hardworking pa of the hero back in Delhi.

The music (Adnan Sami) is not peppy enough for footfalls to set the dance floor quaking. The choreography (Ahmed Khan, Marty Kudelka) is excellent and cinematography good, even though the editor does seem to have slept at times while doing his job.

Just Shahid?s dance, Genelia?s smile, and capers of a few perky kids don?t a movie make. My advice - skip this chance.

Rating: 3/10